Virginijus Kinčinaitis. FOTOREGOS PRATIMAI

Subjectively understood time is already irreversibly mixed with photographic time, private memory gives way to the collective memory of photographic images. Gradually, images push away our lives. In order to achieve clarity of these processes and concepts, it is necessary to constantly return to the large, inexhaustible archives of family, artistic, social and political photographs. We have to go into the never ending battles of these images, drawing their future scenarios. These are endless exercises of seeing the world in a photographic way with which always begins a new day. Some of us write a detective photography story, others keep the camera close to the chest, someone sorts out their unmanaged collection of selfies, someone tears old photographs of their youth with trembling fingers.
Virginijus Kinčinaitis